This match is easy to call and predict: An Evening with Kevin Smith (KS). I do not know why I placed Emanuel’s Gift (EG) in my queue and after seeing the movie I am still not sure. EG was the good liberal movie whereas there are times in KS that an actual sophisticated argument against the sentimental-driven documentary is made. That level of nuance already makes a winner easy to determine. All of this is without backsliding into the Disney-is-evil debate that has, sadly, become too prominent.
The reason why KS is so engaging, it is almost 4 hours long and I did not even notice, is summed up by C.K. Ogi over at Amazon.com:
Smith is one of the best story tellers our society has. He really has a gift for just starting a story, leaving no stone unturned, and just engaging you into what he’s relating. His story about writing the script for Superman will have you in tears. Another good one is his encounter with Prince. Smith has an easy-going, self-depricating style that’s combined with a smart guy who LOVES the heck outta movies.
EG however is not good story telling. It is sentimentalism at its finest. The movie makes us sad and yet also happy that this young man was able to rise beyond the usual outcome for Ghana’s disabled bodies. The movie leaves some unanswered questions, especially those that would make us as privileged people in the developed world uncomfortable. If we ever needed proof of sentimentalism’s ability to move or prevent movement this was it. I discovered the following quotation on PopFeminist and it smacks of its appropriateness:
Sentimentality is the feather duster in the junkyard of the human condition. It is a fundamentally inadequate method of handling the plights of our country, but emotive and earnest enough to obfuscate the material circumstances of injustice with personal feelings and alleviate its weeping participants of the burden of real change.