|
Books Bought |
Books Read |
| McSweeney’s 39 | Cormac McCarthy The Crossing |
| Grantland 1 | Scott Westerfeld Goliath |
| N+1 Occupy: Scenes From Occupied America | Paul Hendrickson Hemingway’s Boat |
| Paul Hendrickson Hemingway’s Boat | James Dashner The Death Cure |
People have been telling me for years to read McCarthy. He’s similar enough to Hemingway. Short sentences full of silence and anxiety. An overriding sense of despair that the reader cannot shake. I cannot shake it. I’ve even returned to some Henry Miller as an antidote and it helps some. How does the average Barnes & Noble bottom-feeder shake it?
Not as pretty as Blood Meridian or All The Pretty Horses but it packs a wallop. I was going to attach some of my favorite quotations from the book, but why bother. It’s all nonsense, and yet that is McCarthy’s brilliance. He makes the desolate seem inviting. He’s what Ralph Lauren once had, an affection for the simplicity of the Western.
It’s been a drunk month. It has also been a productive month for writing, but mainly it’s about the drunkenness as that is what most directly trades off with my reading time at the end of the night.
It could also be that I have been reading some heady stuff and I move slowly as a reader, but when given the heady stuff I’m molasses. Sometimes a break is needed and that is what Scott Westerfeld offers. Goliath is third in a series about an alternate account of World War I. These books are written for high school students. There is innocent running-through-daisies kind of boy/girl action. There is some fighting and ultimately there is suspense. It’s odd but the books are really well done. If you are a fan of steampunk, then they are definitely worth a read.
The books use not only steampunk as a vehicle to change history, but it also employs genetic engineering. Imagine if Europe was split into the west as Darwinists who genetically engineer creatures into fantastic beasts of burden, all kinds of burden. And eastern Europe who uses steampunk technology to labor. Now put them against each other in World War I and it’s an interesting premise that Westerfeld’s writing ability adds to.
Break achieved it was back to Hendrickson. To claim this was a bio of Hemingway is inaccurate. I bought it thinking it was precisely that. I read it. Even until the last page I was wondering when it would return to Hemingway. It didn’t, but I wasn’t disappointed. It’s a worthy book in the Hemingway cannon regardless. Let’s qualify it. Instead of a biography it’s a book about how Hemingway broke people and a slight investigation into why he may have done so, especially his son Gigi. Yea, I like that description. For Hemingway fans that will read anything despite the dread of plodding through another bio, this is a change of pace, a breath of fresh air. It’s also a good account of how not to live and how to write.
Another break was needed so I returned to the YA lit field. The final Maze Runner book has been out even though it escaped my attention. The Death Cure was an okay read. Now that I have completed the trilogy I wish I had not started it. The first book was fantastic, but it is impossible to read it and not continue the series. The final book throws out the most basic ethical scenario: lifeboat ethics. Thankfully Dashner does not arrive at a correct answer. But the book is boring and pedantic. Part of my problem is not reading the books consecutively. If I could do it over I would take a week and just read the three back to back and I suspect I would have enjoyed it more. There were too many developments and characters in the first two books that I had forgotten by the time I opened the third. C’est la vie.
I hate to admit that I would have never picked up this book at a store. It’s published by the New York Review Books, which is a small publisher and I only see some of their titles in certain pretentious bookstores. Like Verso Books, I love NYRB’s aesthetics, so I joined their book club.